She was also co-editor of Conflict, Identity and Protest in American Art (Cambridge Scholars Publishing, 2016).
She published Elevate the Masses – Alexander Gardner, Photography and Democracy in Nineteenth Century America (Penn State University Press) in 2020. Her exhibitions include: Time is Now – Photography and Social Change in James Baldwin’s America (2018), Crossing Lines, Constructing Home: Displacement and Belonging in Contemporary Art (2019) and Devour the Land: War and American Landscape Photography Since 1970 (2021). Menschel Curator of Photography at the Harvard Art Museums. Makeda Best, Ph.D., is a curator, writer and historian of photography. Menschel Curator of Photography at the Harvard Art Museums (Cambridge, Massachusetts)Ĭurator: On the Line: Documents of Risk and Faithĭiscussion of On The Line: Documents of Risk and Faith, Keynote Lecture Makeda Best, FotoFocus Guest Curator and Richard L. in curatorial studies at Accademia delle Belle Arti di Brera in Milan, Italy. Barotto contributed to shaping and diversifying the Guggenheim’s permanent collection through acquisitions of emerging artists. Guggenheim Museum where she worked on modern and postwar retrospectives and contemporary exhibitions. Prior to the Moody, Barotto served as Assistant Curator at the Solomon R. Barotto was also involved in the expansion of Rice Public Art through acquisitions and commissions. Harris Jasmine Hearn Kapwani Kiwanga Sondra Perry Kameelah Janan Rasheed Edra Soto Clarissa Tossin, and Charisse Pearlina Weston, amongst others. From 2019 to 2022, she was Associate Curator at the Moody Center for the Arts at Rice University where she organized exhibitions and programming with national and international artists, notably: Li E. Ylinka Barotto is an independent curator. Ylinka Barotto, FotoFocus Guest Curator and Independent Curator (Houston, Texas)Ĭonversation with Baseera Khan and Ylinka Barotto from the University of Cincinnati DAAP, School of Art. from the University of Arizona and an M.F.A. Prior to that, she was Director of the Mockbee, Cincinnati’s largest alternative venue for the presentation, discussion, and celebration of contemporary art and ideas. She previously served as Director of Exhibitions at the Contemporary Arts Center (CAC) in Cincinnati from 2004 to 2013, where she organized exhibitions with leading contemporary artists and curators such as ON! Handcrafted Digital Playgrounds (2013) with OFF Festival founder Hector Ayuso, Spectacle: The Music Video (2012), and Shepard Fairey: Supply and Demand (2010). Since joining FotoFocus in 2014, Barnard has curated several shows including Wide Angle: Photography Out of Bounds and Chris Engman: Prospect and Refuge, both featured in the FotoFocus Biennial 2018: Open Archive. Ĭarissa Barnard, FotoFocus Director of Curatorial Strategy (Cincinnati, OH)Ĭarissa Barnard is the FotoFocus Cincinnati Director of Curatorial Strategy. His nonfiction book Scanning the Bush: Six Stories about Black Bodies in Landscape will be published in 2024 by Hutchinson Heinemann. He is the author of Thinking with Trees (Carcanet Press, 2021), winner of the Poetry category of the 2022 OCM Bocas Prize for Caribbean Literature, and of Self-Portrait as Othello (forthcoming in 2023 from Carcanet Press). His forthcoming monograph, Engagements with Aimé Césaire (Oxford University Press, 2023) is a philosophical study of poetry from the perspective of African metaphysics. His work explores, among other things, the politics of time in Afro-diasporic politics and worldbuilding. Jason Allen-Paisant is Associate Professor of Critical Theory and Creative Writing at the University of Manchester. Member Preview Opening, Reception, & Artist Conversation for Natural World, Artist Talk by Jason Allen-Paisant Nicole Desmond 16.Jason Allen-Paisant, Associate Professor of Critical Theory and Creative Writing at the University of Manchester (Manchester, UK)
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